Amazon Digital Services LLC In this witty animated short set in 1. Norway, a seven- year- old girl asks her hopelessly out- of- touch parents for a bicycle. Starring. Andrea Braein Hovig. Runtime. 1. 3 minutes. Available to watch on supported devices. Uncover detailed information about Me and My Moulton (2014). Explore interactive visualizations about the cast, ratings, awards, photos, plot, and more. ME AND MY MOULTON EDUCATOR’S GUIDE 2 The learning unit in this educator’s guide focuses on the develop - ment of resilience in elementary school children. '/videos/search?format=&mkt=&q=Me+and+My+Moulton&ru=%2fsearch%3fformat%3d%26mkt%3d%26q%3dMe%2band%2bMy%2bMoulton&view=detail&mmscn=vwrc&mid=12AEEA18441C7591AB4F12AEEA18441C7591AB4F&FORM=WVFSTD' h='ID=SERP,5785.1'>Watch video · New short film from Oscar winner Torill Kove. "Me and My Moulton; Carface; Penny's for Tea," an episode of Canadian Reflections, premiered on February 26, 2017. See cast, plot, and more. Me And My Moulton Oscar· Buy Me and My Moulton: Read 7 Movies & TV Reviews - Amazon.com. Me and My Moulton, Torill Kove, provided by the National Film Board of Canada. Kove’s charming and colourful semi-autobiographical film tells the tale of a seven. · Every designer and cyclist should watch Me and My Moulton. Lloyd Alter (@lloydalter). Me and My Moulton by Torill Kove, National Film Board of Canada. Me and My Moulton (2014) User Score. Play Trailer; Overview. A seven-year-old girl longs for a bicycle so that she can be more like the other kids in her Norwegian. Montreal --Me and My Moulton, the latest National Film Board of Canada animated short from Torill Kove -- director of the Oscar-winning film The Danish Poet-- has. ME AND MY MOULTON A seven-year-old girl asks her hopelessly unconventional parents for a bicycle. But what kind of bike can you expect from a father who sports the.
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Am Himmel von China Sprache: Deutsch Regisseur: Ray Enright Schauspieler: Randolph Scott, Ruth Warrick, Ellen Drew, Anthony Quinn, Carol Thurston. Am Himmel von China - Film. Am Himmel von China". Community- Kritik vor. Kommentieren Sie diesen Film. Am Himmel von China - CAST & CREWOriginaltitel: China Sky. Regie: Ray Enright. Länge. Randolph Scott. Dr. Gay Thompson. Ruth Warrick. Dr. Sara Durand. Anthony Quinn. Chen- Ta. Ellen Drew. Louise Thompson. Richard Loo. Colonel Yasuda©cinema. Am Himmel von China.
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Little Dorrit MovieLittle Dorrit by Charles Dickens, Paperback. Chapter 1: Sun and Shadow. Thirty years ago, Marseilles lay burning in the sun, one day. A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. Watch Little Dorrit Season 1 episodes online with help from SideReel. We connect you to show links, recaps, reviews, news and more. · Fourteen-part adaptation of Dickens' powerful story of love, honour, debt and hope in 1820s London, written by Andrew Davies. Every thing in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. · sister projects: Wikipedia article, Commons gallery, data item. Little Dorrit is a serial novel by Charles Dickens published originally between 18. Free summary and analysis of the events in Charles Dickens’s Little Dorrit that won’t make you snore. We promise. The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. These did occasionally wink a little, as the hot air barely moved their faint leaves. There was no wind to make a ripple on the foul water within the harbor, or on the beautiful sea without. The line of demarcation between the two colors, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding- place from a sea too intensely blue to be looked at, and a sky of purple, set with one great flaming jewel of fire. The universal stare made the eyes ache. Towards the distant line of Italian coast, indeed, it was a littlerelieved by light clouds of mist, slowly rising from the evaporation of the sea; but it softened nowhere else. Far away the staring roads, deep in dust, stared from the hillside, stared from the hollow, stared from the interminable plain. Far away the dusty vines overhanging wayside cottages, and the monotonous wayside avenues of parched trees without shade, drooped beneath the stare of earth and sky. So did the horses with drowsy bells, in long files of carts, creeping slowly towards the interior; so did their recumbent drivers, when they were awake, which rarely happened; so did the exhausted laborers in the fields. Struggling with Charles Dickens’s Little Dorrit? Check out our thorough summary and analysis of this literary masterpiece. Everything that lived or grew, was oppressed by the glare; except the lizard, passing swiftly over rough stone walls, and the cicala, chirping his dry hot chirp, like a rattle. The very dust was scorched brown, and something quivered in the atmosphere as if the air itself were panting. Blinds, shutters, curtains, awnings, were all closed and drawn to keep out the stare. Grant it but a chink or keyhole, and it shot in like a white- hot arrow. The churches were the freest from it. To come out of the twilight of pillars and arches—dreamily dotted with winking lamps, dreamily peopled with ugly old shadows piously dozing, spitting, and begging—was to plunge into a fiery river, and swim for life to the nearest strip of shade. So, with people lounging and lying wherever shade was, with but little hum of tongues or barking of dogs, with occasional jangling of discordant church bells, and rattling of vicious drums, Marseilles, a fact to be strongly smelt and tasted, lay broiling in the sun one day. In Marseilles that day there was a villainous prison. In one of its chambers, so repulsive a place that even the obstrusive stare blinked at it, and left it to such refuse of reflected light as it could find for itself, were two men. Besides the two men, a notched and disfigured bench, immoveable from the wall, with a draught- board rudely hacked upon it with a knife, a set of draughts, made of old buttons and soup bones, a set of dominoes, two mats, and two or three wine bottles. That was all the chamber held, exclusive of rats and other unseen vermin, in addition to the seen vermin, the two men. It received such light as it got, through a grating of iron bars, fashioned like a pretty large window, by means of which it could be always inspected from the gloomy staircase on which the grating gave. There was a broad strong ledge of stone to this grating, where the bottom of it was let into the masonry, three or four feet above the ground. Upon it, one of the two men lolled, half sitting and half lying, with his knees drawn up, and his feet and shoulders planted against the opposite sides of the aperture. The bars were wide enough apart to admit of his thrusting his arm through to the elbow; and so he held on negligently, for his greater ease. A prison taint was on every thing there. The imprisoned air, the imprisoned light, the imprisoned damps, the imprisoned men, were all deteriorated by confinement. As the captive men were faded and haggard, so the iron was rusty, the stone was slimy, the wood was rotten, the air was faint, the light was dim. Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside; and would have kept its polluted atmosphere intact, in one of the spice islands of the Indian Ocean. The man who lay on the ledge of the grating was even chilled. He jerked his great cloak more heavily upon him by an impatient movement of one shoulder, and growled, “To the devil with this Brigand of a Sun that never shines in here!”He was waiting to be fed; looking sideways through the bars, that he might see the further down the stairs, with much of the expression of a wild beast in similar expectation. But his eyes, too close together, were not so nobly set in his head as those of the king of beasts are in his, and they were sharp rather than bright—pointed weapons with little surface to betray them. They had no depth or change; they glittered, and they opened and shut. So far, and waiving their use to himself, a clockmaker could have made a better pair. He had a hook nose, handsome after its kind, but too high between the eyes, by probably just as much as his eyes were too near to one another. For the rest, he was large and tall in frame, had thin lips, where his thick moustache showed them at all, and a quantity of dry hair, of no definable color, in its shaggy state, but shot with red. The hand with which he held the grating (seamed all over the back with ugly scratches newly healed) was unusually small and plump; would have been unusually white, but for the prison grime. The other man was lying on the stone floor, covered with a coarse brown coat.“Get up, pig!” growled the first. Don’t sleep when I am hungry.”“It’s all one, master,” said the pig, in a submissive manner, and not without cheerfulness; “I can wake when I will, I can sleep when I will. It’s all the same.”As he said it, he rose, shook himself, scratched himself, tied his brown coat loosely round his neck by the sleeves (he had previously used it as a coverlet), and sat down upon the pavement yawning, with his back against the wall opposite to the grating.“Say what the hour is,” grumbled the first man.“The mid- day bells will ring—in forty minutes.” When he made the little pause, he had looked round the prison- room, as if for certain information.“You are a clock. How is it that you always know?”“How can I say! I always know what the hour is, and where I am. I was brought in here at night, and out of a boat, but I know where I am. See here! Marseilles Harbor; ” on his knees on the pavement, mapping it all out with a swarthy forefinger; “Toulon (where the galleys are), Spain over there, Algiers over there. Creeping away to the left here, Nice. Round by the Cornice to Genoa. Genoa Mole and Harbor. Quarantine Ground. City there; terrace- gardens blushing with the bella donna. Here, Porto Fino. Stand out for Leghorn. Out again for Civita Vecchia. So away to—hey! there’s no room for Naples; ” he had got to the wall by this time; “but it’s all one; it’s in there!”He remained on his knees, looking up at his fellow prisoner with a lively look for a prison. A sunburnt, quick, lithe, little man, though rather thickset. Ear- rings in his brown ears, white teeth lighting up his grotesque brown face, intensely black hair clustering about his brown throat, a ragged red shirt open at his brown breast. Loose, seamanlike trousers, decent shoes, a long red cap, a red sash round his waist, and a knife in it.“Judge if I come back from Naples as I went! See here, my master! Civita Vecchia, Leghorn, Porto Fino, Genoa, Cornice, Off Nice (which is in there), Marseilles, you and me. The apartment of the jailer and his keys is where I put this thumb; and here at my wrist, they keep the national razor in its case—the guillotine locked up.”The other man spat suddenly on the pavement, and gurgled in his throat. Some lock below gurgled in its throat immediately afterwards, and then a door clashed. Slow steps began ascending the stairs; the prattle of a sweet little voice mingled with the noise they made; and the prison- keeper appeared, carrying his daughter, three or four years old, and a basket.“How goes the world this forenoon, gentlemen? My little one, you see, going round with me to have a peep at her father’s birds. Fie, then! Look at the birds, my pretty, look at the birds.”He looked sharply at the birds himself, as he held the child up at the grate, especially at the little bird, whose activity he seemed to mistrust. I have brought your bread, Signor John Baptist,” said he (they all spoke in French, but the little man was an Italian); “and if I might recommend you not to game—”“You don’t recommend the master!” said John Baptist, showing his teeth as he smiled.“Oh! It’s quite another thing. You get husky bread and sour drink by it; and he gets sausage of Lyons, veal in savory jelly, white bread, strachino cheese, and good wine by it. Look at the birds, my pretty!”“Poor birds!” said the child. The fair little face, touched with divine compassion, as it peeped shrinkingly through the grate, was like an angel’s in the prison. John Baptist rose and moved towards it, as if it had a good attraction for him. BBC One - Little Dorrit. Fourteen- part adaptation of Dickens' powerful story of love, honour, debt and hope in 1. London, written by Andrew Davies. Spotify Web Player - 1. Schattenwelt. We - and our partners - use cookies to deliver our services and to show you ads based on your interests. 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Schattenwelt. Die drei ??? Das #Schattenwelt-Festival - Österreichs größtes Gothic & Dark Electro Festival geht in die 3. Runde! - - - - scroll down for English information & Line-up! 1 visitor has checked in at Schattenwelt. Write a short note about what you liked, what to order, or other helpful advice for visitors. Schattenwelt. Severin möchte, dass Ihr nach Skettis reist und 6 Einheiten Schattenstaub von den dort lebenden Arakkoa sammelt. Schattenstaub (6) Beschreibung. Get this from a library! Schattenwelt. [Paul Giger]. Get this from a library! Schattenwelt. [Peter-Jürgen Boock; Birgit Gudjonsdottir; Uli Herrmann; Karen Lönneker; Eva Mattes (Schauspielerin); Ulrich Noethen. Schattenwelt is the third album by Swiss violinist Paul Giger recorded in 1992 and released on the ECM label. Pilcher Drehorte: Webcams. Lusty Glaze Beach in Newquay. Surf Webcam at Lusty Glaze Beach in Newquay, Cornwall. Check the surf, see what’s happening at the beach or just enjoy the view… The Surfcam is a beach and surf webcam relaying live video images from Lusty Glaze Beach in Newquay, Cornwall. Die schönsten Drehorte vieler Rosamunde Pilcher. der Blumen Ein Doktor & drei Frauen Ein Doktor & drei Frauen Ein einziger Kuss Eine besondere Liebe. Rosamunde Pilcher: Ein Doktor & drei Frauen. Ein Doktor & drei Frauen. im Tal der Blumen Ein Doktor & drei Frauen Ein Doktor & drei Frauen Ein einziger Kuss. Die Rosamunde-Pilcher Reihe verfügt mittlerweile über mehr als 120 Verfilmungen und zählt zu den. Text & Screenshot: ZDF. Ein Doktor und drei Frauen; Ein. Die Rosamunde-Pilcher Reihe verfügt mittlerweile über mehr als 120 Verfilmungen und. Bread & | Roses B&B - "Cabilla. Ein Doktor & drei Frauen; Ein. Rosamunde Pilcher - Vier Frauen. Shades of Love 3&4/4. Ein Doktor & drei Frauen; Rosamunde Pilcher Collection XIV. Rosamunde Pilcher Drehort. Dornen im Tal der Blumen Ein Doktor & drei Frauen Ein Doktor & drei Frauen Ein einziger Kuss Eine besondere Liebe Eine Frage der. Die schönsten Drehorte vieler Rosamunde Pilcher. Tal der Blumen Ein Doktor & drei Frauen Ein Doktor & drei Frauen Ein einziger Kuss Eine besondere Liebe. Zeitalter – Wikipedia. Ein Zeitalter ist ein längerer Abschnitt der Geschichte, der sich durch verbindende Merkmale auszeichnet. Oft wird der Ausdruck synonym zu Epoche, Periode oder Ära gebraucht, ohne dass zwingend immer exakt dasselbe gemeint sein muss. So hat der Begriff z. B. Bereichenoftmals eine andere oder zumindest spezielle Bedeutung. In der Mythologie versteht man unter Zeitaltern oder Welt(zeit)altern (vgl. Menschenalter“, woraus nhd. Welt entstand) Zeitabschnitte, die zusammen einen sogenannten Weltzyklus bilden. Diese Zyklen sollen durch Katastrophen voneinander getrennt worden sein, in denen die jeweiligen „Welten“ untergingen. Oft wird auch von „Sonnen“ statt von Zeitaltern gesprochen, da in jedem neuen Zeitalter auch eine „neue Sonne“ am Himmel erschienen sein soll. Alle Epen, Religionen und Weltanschauungen gehen von mythischen Geschichtsbildern aus, wobei die Menschheitsgeschichte als Abfolge kosmologischer Zeitalter mit jeweils spezifischen Bedingungen erscheint. Diese Vorstellungen sind oft, aber nicht immer mit der Idee einer zyklischen Wiederholung des Ablaufs verbunden. Sie waren beziehungsweise sind in verschiedenen Varianten auf der Welt verbreitet. Auffällige Gemeinsamkeiten lassen einen Traditionszusammenhang erkennen und ermöglichen es, einen Urmythos zu erschließen. Dieser Urmythos beinhaltete mindestens vier Weltzeitalter, die durch Katastrophen voneinander getrennt sind. Popular Videos - Die drei??? Kids Die drei??? Kids - Topic; 200 videos; 55,219 views;. Die drei Fragezeichen Kids und du - 1000 Spuren - Rocky Beach steht Kopf. Traktat über die drei Betrüger [Moses, Jesus, Mohammed]. Die Zensur in Österreich im Zeitalter der Aufklärung. Hierzu folgende Quelle. Die drei??? Fragezeichen Fanhörspiele Fan-Hoerspiele EpisodesLost; 57 videos;. Let´s read - Die drei Fragezeichen - 01 - und der Tanzende Teufel. Ihnen waren die vier Planeten Saturn, Jupiter, Merkur und Mars sowie vier Metalle (ursprünglich wohl Gold, Silber, „Erz“ und Eisen) zugeordnet. Die eigene Gegenwart wurde ins letzte beziehungsweise ins schlechteste Zeitalter eingeordnet.[1]Aus diesem Urmythos wird von manchen Forschern aufgrund des jeweils katastrophalen Endes auf eine katastrophistische Vergangenheit in der menschlichen Geschichte geschlossen, die erst zu diesem Mythos führte. Allerdings sind diese Ansätze zurzeit eher Nebenströmungen in der Geschichtsforschung. Hesiod, einer der frühesten griechischen Schriftsteller, unterschied in seinem Gedicht Werke und Tage die folgenden Weltalter mit fünf Menschengeschlechtern: Goldenes Zeitalter. Silbernes Zeitalter. Ehernes oder Erzenes Zeitalter. Zeitalter der Heroen. Eisernes Zeitalter. Auch Philo beschreibt in Über die Ewigkeit der Welt die Anschauung der Stoiker, nach der unsere Welt in periodischen Weltenbränden neu geformt würde. Ebenso berichten Anaximenes, Anaximander, Diogenes von Apollonia, Aristarch von Samos, Ovid, Platon oder Heraklit von wiederkehrenden Weltzerstörungen und anschließend neu beginnenden Zeitaltern. In seiner Enzyklopädie Origines weissagt Isidor von Sevilla (um 5. Weltalter geben werde. Jedes Zeitalter würde tausend Jahre dauern. Im siebten Weltalter, in dem wir uns befinden, würde die Welt zugrunde gehen. Die drei Zeitalter des Superhelden-Comics (Gold, Silber und Bronze): Von der Geburt, Demontage und Wiederbelebung eines amerikanischen Mythos (German) Paperback. Das erste Zeitalter begann mit Adam, das zweite mit Noach, das dritte mit Abraham, das vierte mit Moses, das fünfte mit König David, das sechste mit der Geburt Jesu Christi. Die Lehre der Sechs Weltzeitalter entstand in Analogie zu den sechs Schöpfungstagen. Durch das Wirken des Kirchenvaters Augustinus wurde die Lehre der Sechs Weltzeitalter zur verbreitetsten Vorstellung des Mittelalters. In der Folge entwickelten sich im Christentum verschiedene Vorstellungen (siehe Artikel Dispensationalismus). Nach Auffassung des Hinduismus folgen sich ewig wiederholend Zyklus auf Zyklus, wobei am Ende der großen Zyklen die Welt in einem Kataklysmus der Auflösung (Pralaya) untergeht.[2]Der kleinste Zyklus wird in vier Weltalter (Yugas) aufgeteilt: Im ersten Weltalter, dem Krita Yuga (Satya Yuga), wird das in ihm Gestalt gewordene Lebensgesetz (Dharma) voll verwirklicht. Die Kraft des Heiligen Dharmas schwindet um je ein Viertel von Weltalter zu Weltalter.
Im Treta- Yuga sind also nur noch 3/4, und im Dvapara- Yuga nur noch 1/2 des Dharma vorhanden. Im Kali- Yuga wird mit 1/4 der schwächste und somit schlechteste Zustand erreicht. Der Vollendung des jeweiligen Zeitalters entspricht seine Dauer, so dauert das Satya Yuga 4 × 4. Jahre, das Kali Yuga jedoch nur 1 × 4. Jahre. Die vier Yuga bilden ein Großzeitalter, Maha- Yuga genannt, das insgesamt 4. Jahre der Menschen bzw. Jahre in der Zeitrechnung der Götter dauert. Maha- Yugas sind ein Brahma- Tag (Kalpa), der 4. Jahre währt. Auf einen Brahma- Tag folgt eine ebenso lange Brahma- Nacht. Das Leben eines Brahmas dauert 1. Brahma- Jahre. Anschließend kommt es zu einem Zustand vollkommener Eingeschmolzenheit für weitere 1. Brahma- Jahre. Ein kompletter Weltenzyklus dauert demnach 4. Milliarden Menschenjahre. Es folgen im Anschluss daran weitere Zyklen.[3]Das Konzept der drei Zeitalter stammt ursprünglich aus dem indischen Frühbuddhismus, fand aber erst im chinesischen und von da aus im ganzen ostasiatischen Buddhismus eine weitgehende Verbreitung und Anwendung. Es beschreibt den Niedergang der buddhistischen Lehre in drei Phasen und hatte wesentlichen Anteil an der Entwicklung späterer Lehrtraditionen. In alten chinesischen Schriften werden die untergegangenen Zeitalter als „Kis“ bezeichnet und es werden zehn solcher Kis von Anbeginn der Welt bis zu Konfuzius gezählt.[4] In der alten chinesischen Enzyklopädie Sing- li- ta- tsiuen- chou wird die Zeit zwischen zwei Katastrophen, die jedes Zeitalter beenden und ein neues beginnen lassen, als ein „Großes Jahr“ betrachtet. Auch in Amerika bei den Inkas, den Azteken und den Mayas sind Mythen über Weltalter und diese beendende Katastrophen gefunden worden. Alexander von Humboldt zitierte den spanischen Schriftsteller Gomara aus dem sechzehnten Jahrhundert: „Die Nationen von Culhua oder Mexiko glauben, entsprechend ihrer Hieroglyphenmalereien, dass vor der Sonne, die sie jetzt bescheint, bereits vier andere der Reihe nach ausgelöscht worden waren. Diese vier Sonnen entsprechen ebensovielen Zeitaltern, in denen das Menschengeschlecht durch Überschwemmungen, durch Erdbeben, durch eine allgemeine Feuersbrunst und durch die Wirkungen verheerender Stürme vernichtet wurde.“[5]Ein großer Teil der in Yucatan gefundenen steinernen Inschriften bezieht sich auf Weltkatastrophen. Die ältesten dieser Fragmente (Katuns oder Kalendersteine Yucatans) beziehen sich im Allgemeinen auf große Katastrophen, die, sich in Abständen wiederholend, den amerikanischen Kontinent erschütterten, und von denen alle Nationen dieses Kontinents eine mehr oder weniger deutliche Erinnerung bewahrt haben.“[6]Katastrophistisches Ende von Zeitaltern: Zyklische Folge von Zeitaltern: Hertha von Dechend: Welt- Alter. Vorlesung, gehalten 1. J. W. v. Goethe- Universität Frankfurt/M., online. Claus Dettelbacher: Im Maulbeerhain: Die Lehre von den 4 Weltzeitaltern: Einführung in die Spuren der zyklischen Zeit. Rezeption, Schnittstellen, Geschichtsphilosophie - mit ständiger Rücksicht auf Julius Evola. Bo. D, Norderstedt 2. ISBN 9. 78- 3- 8. Erweiterte Diplomarbeit an der Universität Wien)Werner von Siemens: Das naturwissenschaftliche Zeitalter. Schumacher, Berlin 1. Bodo Gatz: Weltalter, goldene Zeit und sinnverwandte Vorstellungen. Hildesheim, 1. 96. Fredric Jameson: Epoche (PDF; 1. B). In: Historisch- kritisches Wörterbuch des Marxismus. Bd. 3, Argument- Verlag, Hamburg, 1. Sp. 6. 59- 6. 81. Wiktionary: Ära – Bedeutungserklärungen, Wortherkunft, Synonyme, Übersetzungen↑Claus Dettelbacher: Im Maulbeerhain: Die Lehre von den 4 Weltzeitaltern: Einführung in die Spuren der zyklischen Zeit. Rezeption, Schnittstellen, Geschichtsphilosophie - mit ständiger Rücksicht auf Julius Evola. ISBN 9. 78- 3- 8. H. C. Warren: Buddhism in Translations. Heinrich Robert Zimmer: Indische Mythen und Symbole. Aufl. Diederichs, München 2. S. 1. 8–2. 4↑H. Murray, J. Crawfurd et alii: An Historical and Descriptive Account of China. Ausg. 1. 83. 6↑Alexander von Humboldt: Researches II↑C E. Brasseur de Bourbourg: S'il existe des sources de l’histoire primitive du Mexique dans les monuments égyptiens. Berlinale | Archive | Annual Archives | 1. Programme - The Three Ages. USA 1. 92. 3, 8. 0 minby. Buster Keaton, Eddie Clinewith. Buster Keaton. Wallace Beery. |
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March 2019
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